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The Pianola

FROM THE PLAYER PIANO HOME PAGE

For those who are not familiar with this instrument, it is best described simply as a self-playing piano. The player mechanism is powered entirely by suction, generated by the operation of two foot pedals, while the music is represented by tiny perforations on interchangeable rolls of paper. The operator, or 'pianolist', achieves dynamic shading of the music by varying the degree of pressure applied to the foot pedals. In addition, a set of hand-operated levers mounted just below the front of the keyboard provide accentuation, tempo control, activation of the sustain and soft pedals and selection of play and rewind modes. It is true to say that in the hands of an accomplished operator, a convincingly lifelike performance is achievable.

The pianola was introduced around the year 1900. At first it was an external player, playing on the keyboard of a normal upright or grand piano. Later the mechanism was built inside the piano, which had a dual function (also playable by hand). By means of a pneumatic mechanism the piano could be played automatically. A wide variety of music was available in the form of perforated paper music rolls.
The hand controls and foot-pedals enabled the player to influence the tempo, and expression, thus making a musical rendering of a piece possible.

The player piano enjoyed its peak of popularity between 1900 and 1930, after which time the gramophone, which was significantly cheaper, became the main source of home entertainment. As the vast majority of player pianos are now at least seventy years old and many are sadly dilapidated, enthusiasts all over the world are devoting much time and energy to the restoration of these truly remarkable instruments.

The paper music rolls are still available in abundance, both old and new and almost all musical tastes are catered for. During the first three decades of the twentieth century, a substantial number of famous pianists committed their performances to music roll, by means of special recording pianos. The rolls recorded by George Gershwin for example are still popular today and although original examples are now scarce, specialists meet the demand from collectors by producing excellent new copies.

A player piano can of course be played by hand in the normal way, as the piano action and keyboard are entirely conventional. In fact, it is usually possible to play the keyboard while the roll mechanism is in operation, should any additional notes or harmonies be desired!

The term 'Pianola' was actually a trademark, first used by the Aeolian Company just over a hundred years ago, but in more recent times has become a generic reference to the self-playing piano.

SEE and HEAR a Pianola AT WORK:

(You will need the FREE RealOne Audio PLAYER)

MORE INFO and HISTORY:
The Player piano Home Page:


 

 

The reproducing piano

The reproducing piano was the fully automatic form of the player piano. These instruments will play back a performance of a pianist which has been recorded on a music roll. The master rolls for the reproducing piano were made in the studio of the roll-factory with special equipment connected to the keyboard.

The player piano industry was very successful during about thirty years. Its success was based on the fact that the instrument provided music in the homes of well-to-do people. From the beginning of the industry around 1900 until the decline in the depression years in the 1930's at least two million of these instruments have been built. The total output of music rolls comprised tens of thousands of titles, each one often in many different arrangements or renditions.